Subah Kee Sair by Aaran Patel


Size: 8" x 12"
Price:
Rs. 5,000

Tax included

Description

*40% of all profits will be contributed to Karwan e Mohabbat*

Sunrise on a summer day at Humayun’s Tomb in Delhi. After their morning walk around the charbagh, four gentlemen sit on the steps of the sixteenth-century Mughal tomb. The maqbara, commissioned in 1569, was amongst the first monuments to use the combination of red sandstone and white marble, which became a Mughal signature. Over the subsequent centuries, Mughal emperors provided patronage to architects, craftspeople and scholars who led a syncretic artistic and literary flourishing. It is partly due to this legacy that citizens from different cultures and faiths share so much not in spite of but because of their varied backgrounds.

Medium : Digital Print on Archival Paper.

Edition Details:

    • 8" x 12" : Rs. 5,000. Edition of 10.
    • 10" x 15" : Rs. 8,000. Edition of 10.
    • 12" x 18" : Rs.12,000. Edition of 10.

All prints are signed and numbered by the photographer and are accompanied by a certificate of authenticity. 

Framing : Unframed

1. Price is inclusive of local taxes.

2. Shipping rates as applicable. 

3. Framing can be done on request. Additional framing, shipping and packaging charges will be confirmed over email once we receive your order.

4. For international orders, please email us at transmissions@themethod.in

About The Artist

 

Aaran Patel is an educator and photographer who is currently pursuing a Master in Public Policy at the Harvard Kennedy School of Government. He spent four years with Teach For India as a fellow and member of the organisation’s innovation cell, during which time he photographed classrooms and communities around the country and shot TFI’s ten year book, Grey Sunshine. Aaran has also photographed handloom initiatives in Maheshwar for the last decade, and more broadly been an observer of changing conceptions of space in several cities in India. Aaran collaborated with Jeff Nelson on "Mumbai is Upgrading" shown at G5A, an exhibition of digital artworks that sought to conserve elements of the past and develop a landscape of parallel existence.

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